Sunday, February 28, 2010

April - Block of the Month Calendar

April Showers...

bring May flowers!

This is a fun block to make... I used the fusible applique' method to secure each little piece, then did a finishing stitch around the edges on most pieces. If you make this block, choose a rainy looking background, then play in your stash for the little pieces of color.

The pattern is available for you, but you will need to enlarge it to fit the 16 inch square, because for some reason the copy machine I used to scan to pdf won't do something this large without reducing it. The pattern is available by clicking here.


In preparation for the May block, you'll want about 1/3 yard of an ombre' with solid areas (not print) in colors suitable for flowers. Here's an example from
eQuilter.com showing what I mean... it is one piece of fabric that gradiates to the different shades.






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Thursday, February 25, 2010

John Putman, Quilter

Last night I visited the Davison Evening Star Quilt Guild - what a wonderful group of people!  The speaker was John Putman from the Lansing, Michigan area.  How delightful!   He's such a great speaker - funny, lots (tons) of quilts to show, and very personable.  I fell in love with this quilt...

DSC03362 DSC03360 DSC03358

 

I can't show you the whole thing, but it is made up of Kaffe Fassett fabrics.  I wanted to run right out of there and make my own.  Isn't it gorgeous!?!?!?

 

Looking forward to more of this quilt guild... I'll be joining next month.  Ladies, thanks for making me feel SO welcome!

Monday, February 22, 2010

What Quilt Goes With This House?

I love houses of all styles and ages.  I like to imagine what they look like inside... how they are decorated, who lives there, what hobbies the people have (if any), and best of all, what kind of quilts they might have in their home. 
Want to play along?   Below are a few random houses.  Leave a comment following this post, and number from 1 to 5 and describe the kind of quilt you think the owners would have in their house.  Then tell which house you like the best! 
1) 56493_wallpaper280
2) floweryard
3) farmhouse 
4) house_neview_bodycomb
5) Henderson_House

Saturday, February 20, 2010

A Washed Quilt = So Cuddly!

Emma.closeup

After a quilt has been quilted and the binding put into place, I think it just BEGS to be tossed into the washer and dryer, don't you?

There is nothing like a good wash and dry to add in those adorable puckers and softness that makes a quilt feel right.

EmmasQuilt

This little crib quilt is for a baby girl and was designed to match her nursery. The big blocks have free-hand meandering quilted in place to look like "little girl scribbled flowers."  Then over the rest of the quilt, a meandering stitch with the same flowers (only smaller), squiggles and little leaves helps fill it in and add those precious puckers.EmmasQuilt3

 

What a great place to play and explore?!?

Friday, February 19, 2010

Ironing Applique

Delphi_sampler 004 Do you applique? Whether you applique by machine or by hand, applique takes time and patience for you to have a beautiful end result. One of the important steps to consider in applique is ironing or pressing your block. The worst thing you can do is put a hot steam iron on the front of the applique itself. Always, always always press from the back.



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Here are the steps I take to press my applique:



1) Put a terry cloth towel on the ironing board for extra cushioning.
2) Place your applique right side down on top of the towel.
3) Wet or mist a pressing cloth (see below) and place over the area to be ironed.
4) Using a dry iron (not a steam setting), press through the pressing cloth with an up and down motion. The key is to not slide your iron back and forth, but go up and down in different areas gently. The moisture from the pressing cloth will be sufficient to get any wrinkles out and set your applique.

DeeDee


What is a pressing cloth?


A pressing cloth is 100 percent cotton piece of fabric that you reserve for ironing purposes. A turkish towel (sometimes called a Tee towel or dish towel) works wonderfully and is the right size for your ironing board. You can also make a pressing cloth out of a cotton sheet or fat quarter of white or muslin fabric. To use, you wet the towel in a bowl or sink or with a mister, wring it out, and place it between the iron and the item you are ironing. If the pressing cloth becomes dry, simply wet it again. Using a pressing cloth prevents scorching, shine or damage to whatever you are pressing.


Want to learn more about pressing?

There is a great pdf document available here. It is geared more towards clothing, but offers some good information.



Tuesday, February 16, 2010

Fabric Quality - Is There REALLY a Difference?


You may have heard that buying fabric for quilting from a big box store is a bad idea. It is said that the quality of fabric is much poorer than what you can purchase at your LQS (Local Quilt Shop). Is that really true? Why?

DSC01984First, let me say that I generally purchase the bulk of my fabric either from my LQS or from a large online store. I know their quality to always be high, their service marvelous, and prices fair. With that being said, quite often I will purchase fabrics for quilt backings that are on sale or at a good price at my local Hobby Lobby. Here's why.

From my own experience, I have found big box store cottons to be thinner than the same fabric purchased at my LQS. They are often of a smaller thread count, but higher in starch/finishing products. I don't like the treatment that is put on fabrics to make them appear to be of higher quality. It bothers my allergies, and after washing the fabric is considerably more flimsy than before. However, I have also had very good luck purchasing Bali Cottons at Hobby Lobby. I have found them much less expensive and of the same quality as I can purchase locally. I have used them on the front and back of my quilts and been very happy with them.

There is a large discussion on this topic at http://www.fabrics.net/cotqual.asp. Here's the question that was posted:

"My question has to do with fabric quality. I am looking for resources on how to determine differences between fabrics and is there really any difference. Why is fabric so much higher priced at quilt stores but less so at the chain fabric stores. Is there really any difference. Sometimes the prints are exactly the same and the manufacturer on the end of the bolt is the same. Can you help me with this question or suggest resources? thank you so much."

Please visit the website to read all the great comments that have been left. What has been your experience? Please do share your thoughts!

Monday, February 15, 2010

Show Me Your Thimble Week

Do you wear a thimble when you sew? How about when you quilt?

My mother taught me the importance of wearing a thimble when I was a little girl. Mom sewed all my clothes until I was in high school and learned by working with a seamstress in the fashion industry in New York where she worked after high school. To this day, I can't sew unless I have a thimble on the middle finger of my right hand.
Why wear a thimble? For two very good reasons.

ONE: The thimble protects your finger. Have you ever been pushing on a needle or pin and had your hand slip... and jammed the sharp point into your skin? OUCHIE! Major pain! Whenever you are hand sewing with any kind of needle, there is always a possibility for injury.

TWO: A thimble is a tool. It helps you push the needle through the fabric with more force than your bare fingertip. It has little indentations on the tip that grab the needle and allow you to give direction wherever you want it to go. Without a good thimble, the rocker motion that hand quilters love for hand quilting is next to impossible.

Caron's Thimbles

There are many different types of thimbles; metal, rubber, flat, curved, thimbles for your middle finger, thimbles for your thumb, fancy, plain, gold, silver, black... People have been collecting thimbles for hundreds of years. I don't have a lot of thimbles, but those I have are special to me. I have all my Mom's thimbles. I have a beautiful thimble my hubby bought me for Christmas one year. I have one that my dear friend Ami made for me when she was taking a class at the Flint Institute of Arts. It even has my name on it!

My thimble

Here's a picture of the thimble I use the most... in action!


What thimble do you use the most?

SHOW ME YOUR THIMBLE!

Post a picture of it on your website or blog, and in the comments area below, give us the URL (website address) where we can see it.

Sunday, February 14, 2010

Beginning Quilting: Pressing Seams

One of the questions I often hear from new quilters is "Which way should I press the seams?"  There are so many guidelines for pressing... let's begin with two simple suggestions today.

Pressing seams open - not a good idea!Long seams, such as you might need on the back of the quilt to piece two big pieces together, are best pressed to one side.  When you are quilting the three layers together in the later stages of your quilt, you will have lots of pulling and stretching going on.  Pressing a seam open gives you more of a possibility of the stitching popping open (see sketch). 

DSC03300 When piecing a light and dark fabric together, whenever possible press towards the dark fabric.  This helps prevent something called shadowing, where the dark fabric shows through the light fabric.  Sometimes it isn't avoidable.  To show what this looks like, I held up an example to my sliding glass door to let the sunlight through from the back.  See the blue fabric and stray threads peeking out around the edges?  That's called shadowing, and whenever possible, you want to avoid that.

When you simply have to press towards the light fabric, trim your seam so that the darker fabric is just a smidge (technical word) smaller than the light.  I guess this is one area of my most recent quilt I forgot to trim.  Oops!Emma

Happy Ironing...

Happy Quilting!

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Friday, February 12, 2010

Should I enter a quilt show?

Entering a quilt show can be a scary but worthwhile process for any quilter. How do you know when you are ready to take the plunge and jump into the pool of quilts ready to be examined and evaluated? What does it mean to enter a "juried show?"


It is my personal belief that every quilter owes it to themselves to display their work in at least one quilt show. There is nothing like seeing your work hung on a wall or from a full-size display for everyone to admire. The best place for your first-ever show is a non-juried exhibit. Many quilt guilds will have regular shows that showcase their members' work on an annual or semi-annual basis. These are often held in a church, school or other public space and open to the public for a small fee. A show such as this is a wonderful way to see quilts of all styles and levels of expertise together in one space. Because ribbons are not awarded, all quilters are able to enjoy entering their quilt without fear of being judged on their workmanship.



Jack's Beanstalk1980 Caron Mosey A juried show or exhibition is one in which photos of quilts are submitted months ahead of the competition. A panel of judges selects quilts which will go forward in the competition and be exhibited in the show. Quilters are then notified of their status, and ship their quilts in time for the competition. A second round of judging takes place prior to the show opening, and winners are selected in a number of categories. Quilts are hung, and ribbons are placed on the winning entries.


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It is always exciting to walk into a show and find a ribbon on your quilt. The joy that you feel when you see people admiring your winning quilt is unlike no other. In contrast, when you enter a show and do not receive a ribbon, it can be very disheartening.


Bars With Stars1983 Caron Mosey How you react to the outcomes of a juried show depends on what you expected when you entered the show in the first place. Were you expecting a ribbon when you entered, or were you entering the competition looking for constructive criticism? Personally, I look for feedback to help make me a better quilter!



DSC02049

A juried competition must have experienced, highly-regarded quilters for judges. NQA certified judges are always preferred, as they go through a rigorous certification process and know what to look for. Always keep in mind that judges are only human. If they are comparing three quilts of equal excellence, they will choose the one they like first. It is tremendously helpful to have written feedback from the judges following any competition. That is the feedback I always look for when I enter. What was good about my quilt? What do I need to work on? Are there classes that might help me improve in these areas?




DSC02032Studying winning quilts during a show helps me better understand what I need to be working on. What do good bindings look like? Quilting stitches? Applique and piecing techniques? By looking critically at blue ribbon quilts and by taking good notes during the show, I create for myself a list of items to focus on in my own work. No one improves in any aspect of life unless they practice and self-analyze their own work.

Enter a quilt show. Help yourself grow!

Tuesday, February 9, 2010

Michigan Guest Bloggers: Janice Duerr

What is your quilting history?  Did anyone in your family quilt when you were growing up, or are you beginning that tradition in your family?  Janice shares hers in this latest guest blogger post.  Why don't you share yours in the comment section?

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My grandmother was a quilter. I loved watching her sit at her frame as she quilted pretty designs into her quilt tops. She gave me scraps of her fabrics and I started my lifelong love of fabric and sewing rather ugly doll clothes. It wasn’t until many, many years later that I learned about the feedsack fabric scraps that I first used to make doll clothes. I still have doll clothes made from feedsack material made by my mother, grandmother and then me.

Today I have a great passion for finding vintage fabrics and love to fondle my fabric collection which includes a few hundred feedsacks, whole and pieces, wonderful barkcloth pieces and beautiful cotton prints from decade gone by. I love to make vintage looking quilts from feedsack fabrics, and even though I have a drawer full of 30’s reproduction fabrics, they just aren’t the same as the real feedsack prints with so much history packed into them. We are so lucky to be able to explore the world via the internet as well as local antique shops for vintage textile treasures.

I began making my own quilts many years after my grandmother passed away, but I hope that somehow she knows I have carried on this wonderful art form because of her influence. I have also been lucky to inherit some of my grandmother’s quilts as well as a top or two that have now been completed and lovingly warm my guest room bed.

Now I have followed my quilting hobby down another path where I am fortunate to be able to help other quilters turn their quilt tops into treasured family heirlooms. I loved machine quilting my quilts, but when the quilts got bigger and bigger, it became stressful on the body to finish them on a domestic machine. That’s when I decided to look into the world of long arm quilting. I purchased a mid arm machine and after a year of quilting my own tops, I began to quilt for others. Late in 2009, I upgraded my equipment to a Nolting Pro Series 24 on a 14 foot frame, so now there isn’t a quilt too big for my frame to easily handle.

clip_image002 This quilt was for my daughter’s wedding 5 years ago
This was a fun quilt that I filled with feathers clip_image004
clip_image006 I enjoyed hand appliquéing this quilt.

I still love to work on my own quilts, and I try to make each new project about a different technique, such as chenille landscapes, hand appliqué or creating my own patterns with EQ. I find there isn’t quite as much time for my quilts now that I have developed a new passion for long arm quilting for others as well as for me. I hope you will visit my website!

Michigan Guest Bloggers: Ami Simms

 

MichiganI've known Ami since the late 70's/ early 80's when our kids played under our quilt frames together.  Together, we planned and put on the quilt shows at Genesee Valley Mall in Flint, Michigan called "Quilting: A Piece in Time."  That was in the early 1980's.  If you're a quilter, you know her name, and know that she's accomplished so much more since then!

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I live in Flint, Michigan and although the economy hasn't turned around yet, the temperature was a nasty 13 degrees today, and the sun may not shine until June, I'm glad I live in Michigan. We're the only ones who can stick Michiganhandout our very own personal mitten and point to where we live. Try THAT, you people in other states!

[Behind Ami's hand is her "Flint Quilt," a photo-transfer montage of people and places around Flint, MI.]

Yes, I drew on my hand. And if any Yoopers in the Upper Peninsula are whining because I didn't ink up my other hand and show you were Sualt Ste. Marie, Marquette, Escanaba, and the Kewenaw Peninsula are that's because not only did I draw on my own hand but I photographed it too. I had to leave one hand for the camera. That's my story and I'm sticking with it, eh?

(Yes, the U.P. has actually been left off maps before, or shown as part of Wisconsin! I even saw a map where labeled it Illinois!)

Interestingly enough although there is a lot of Canada above Michigan, yet when we drive to Windsor, Ontario (Canada) we drive SOUTH. Detroit is actually NORTH of Canada. The things you can learn on a blog.

Now that you've had your mini geography lesson I'm going to go back over to my easy chair, turn on the TV, crank up the foot rest, crawl under the electric blanket, and finish stitching down the binding on this quilt.

AmiQuilt

Ami Simms

Flint, Michigan

Come over to my blog to see the rest of this quilt. By time you get over there I'll have it all done!

Saturday, February 6, 2010

Quilting: Spoolin' Around with Thread Colors

 DSC03285 Whether you are a new or seasoned quilter, choosing fabrics for a quilt is a blast. There are so many colors and patterns to choose from - hand dyed fabrics, stripes, polka dots, solids, blenders, Civil War and thirties fabrics, calico and funky modern and on and on. You can spend literally dozens of hours and many more dollars choosing just the right thing. But when it comes to choosing thread, we tend to use whatever we have on hand or buy basic white or black. Remember, it's the little things that count!
Let's talk thread.


Dsc03622 When doing applique', it is always best to match the color of the thread to the fabric you are sewing. If you are sewing a yellow flower, your thread should be a matching shade of yellow. However, you might be using your machine for machine applique and choose a clear (transparent) thread. The benefit of this is that you can use the same thread no matter what color you are sewing. If you use a clear thread, put a pale grey thread in your bobbin so it won't show on the top. Another option is to applique' with a decorative buttonhole stitch. In that case, you WANT your thread to show, so you should choose a black or contrasting thread for machine or hand stitching. Even an embroidery floss or pearl cotton is acceptable for this method!


DSC02723For piecing, again it is best to match the color of your thread to your fabric. But what if you are making a scrap quilt? With many different fabrics and colors to work with, it can be difficult to decide what color you need. I normally piece with a neutral color: beige, darker tan or grey. Or, if it is a scrappy quilt all in green fabrics, I will select one soft green to use throughout the quilt. By "soft green" I mean a green that isn't likely to jump out at me when the quilt is completed. It should blend in wherever it is seen, like a moss green (not a bright lime green).


DSC02109 When it comes to the actual quilting (hand or machine), the choice of color is a matter of preference. Older traditional quilts usually were quilted with white or black thread. Now we have so many solids and variegated thread choices that the rules for quilting thread have all been tossed in the basket. If you prefer a traditional look, white and black are still good choices. If you're a more contemporary quilter, you're safe going with a contrasting thread or something variegated. It's your choice!

DSC03280 How should I store my thread? Don't follow the old wives tale that says keep it in your freezer. That's not necessary. As long as you keep it out of the sun in a clean, dust-free space, you will be fine. A clear plastic storage box with a lid is an easy solution that allows you to DSC03290spot the thread that you have yet keep it clean. I keep small spools of thread for applique in a zippered bag with a clear vinyl window. It's easily portable and tucks away in a tote  bag quite easily.


If you're a thread-a-holic like me, you're always on the hunt for more glorious threads. Go ahead, enjoy yourself! Every thread has a purpose, and you can never have too much.


Happy Stitching!

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Friday, February 5, 2010

Michigan Quilt Bloggers: Kelly Smith

 Michigan Kelly Smith, from Coloma, Michigan, is quite a prolific writer.  She's written for magazines, online, and is working on a novel.  She's also a teacher with some great tips!

 

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Ten things to remember when teaching a quilting class

I recently signed up to teach a beginner's quilting class at The Box Factory for the Arts in St. Joseph, MI. I wrote up my instructions and decided to have a friend be my guinea pig and test them out. My friend is an experienced quilter and didn't need some of the nitty-gritty step-by-step instructions. Still, we did not accomplish as much as I thought we would.

KellyAppliqueFlowerThat experience led me to modify my approach somewhat. I hope these tips are helpful to you next time you teach someone to quilt, or to make a new quilting pattern they haven't tried before.

 

1. Allow plenty of time.

If you can complete the task in five minutes, allow fifteen for a beginner. If you have a large class it can take time for the new quilters to catch up to the others and you want to make sure everyone has learned one task before moving on to the next.

2. Provide detailed instructions, even for common tasks.

Your students may not know how to do many common quilting tasks. For example, when I wrote my first set of instructions, I said, "Make 8 half-square triangles." Upon review I realized that a new quilter would have no idea how to do that. So I had to write instructions for it and include those in the class notes.

3. Use correct terminology, but go easy on the jargon.

Like every hobby, quilting has its own language. There are many words and phrases that you just don't use much (or at all) in everyday life if you are not a quilter. Fat quarter, rotary cutter, scant quarter inch - these are all mysterious words to the non-quilter or new quilter. When you use them, make sure to explain them.

4. Have a sample of each step in the process.

Of course you'll have a sample of the finished product, whether that is a specific pattern, or a quilted item made using the technique you're teaching, but you also want to make samples of each step along the way. For example, if you're teaching how to do fusible appliqué, have some shapes traced onto the fusible, some pressed to the back of the fabric, and some fused onto the background fabric. You might also want some that have already been stitched down.

5. Pack everything you could possibly need.

As I prepared for my class I kept thinking of additional tools I could bring that would help my students work more efficiently or more precisely. Some things I don't normally pack, but which I thought would be helpful were: a ruby beholder for demonstrating value and a Teflon pressing sheet for the fusible appliqué. New students probably will not own these things, but you can suggest them and if they decide to continue quilting, they might want to invest in them.

6. Allow for student questions and feedback during and after the class.

Allow enough time during each segment of the class for people to ask questions. Give the students leeway to ask anything. If they are new to quilting remind them that there are no quilt police and there is no such thing as a stupid question. As for feedback, encourage students to rate you (either in person or anonymously) so that you can improve as a teacher.

7. Suggest alternatives.

Mistakes happen, and it's not the end of the world. Often a "mistake" in quilting can be resolved in a way that makes the finished product even better. For example, my friend somehow managed to sew a pucker into the center of a sunflower she was appliquéing. Instead of taking it apart (which is always demoralizing!), I suggested she stuff the flower center so the little pleat would look intentional as the flower center puffed up. She liked that idea and it worked well.

8. Encourage students to experiment.

Sometimes new quilters are scared to explore and experiment. They're afraid they'll pick the "wrong" fabric or their color choices won't be "correct". Remind them that quilting is art and art has no rules. If they want to make a quilt that incorporates fuchsia and bright orange, tell them to go for it! (I've done exactly that, and the naysayers in the class had to admit when it was done that it looked very nice.)

9. Be patient and cheer them on.

Patience is a requirement in any kind of teaching, but more so, I think, when you're teaching an art that involves not only knowledge, but creativity. Some people have creativity beaten out of them as children, or grew up hearing and believing that they have no talent. It takes a lot for some people to open their hearts to the possibility that they could create something that is not only useful, but also beautiful. Encourage them and cheer them on, even for small victories. (A perfectly straight ¼" seam is a huge victory for a new quilter!)

10. Inspire them.

In every class there will be some people with a bit more experience or who catch on more quickly. There will be people who want to move beyond the basics and go their own way. Do your best to inspire these people by showing them more advanced patterns or techniques they could try, or allowing them to make a small sample where they experiment with techniques. Knowing that there is someone nearby to ask questions of can embolden some students and before you know it, they're off doing their own thing and creating beautiful art.

Kelly Bio:

Kelly Smith is the author of Open Your Heart with Quilting: Mastering Life Through Love of the Patches (Dreamtime Publishing 2008).

She also writes about quilting for Examiner.com, and was published in Quilter’s Home magazine’s November 2008 issue. You can read her blog at http://www.redheadedquilter.com.